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Archive for the ‘In-depth Articles’ Category

Drawing Inspiration from Art – Friant, Rousseau and . . . Bulgari!

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Inspiration and . . . ‘Inspired’ is a word much more frequently associated with artists and paintings and with authors and novels than with photographers and photographs, and for good reason: while the artist can create from the mind’s eye, the photographer works under an obvious limitation. The author too Read more…

Exploring the value of formal qualifications – Part 2

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This is the second in a two part series on formal photographic qualifications.  Professional qualifications can be divided into two broad categories: degrees and diplomas that you earn from educational institutions or art institutes, and certificates and badges for completing coursework from art institutes and professional bodies.  Whether or not Read more…

Are Formal Photographic Qualifications Valuable?

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Kersasp talks Professional Qualifications in a teaser for our in-depth look to be published later this week. The professions differ in the extent of value that is attached to formal qualifications.  If you want a job with a development authority or municipality to design and build highways, bridges and tunnels, Read more…

A final word on Copyright – Part 3

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This is the third in a three part series on copyright law for photographers. Variables The hypothetical situation presented in the quiz illustrates some of the variables that determine who owns copyright of a photograph.  Other variables exist too. “Ownership of a photo varies depending on the circumstances under which Read more…

Ownership of Copyright and Exerting a Copyright Claim – Part 2

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This is the second in a three part series on copyright law for photographers. The phrase ‘neither owners nor copyright holders’ seems to imply that the two are mutually exclusive, and they are.  Consider that for most wedding photographs, the photographer usually keeps the negatives and/or RAWs with no questions Read more…

Copyright 101 for Professional Photographers – Part 1

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This is the first in a three part series on copyright law for photographers. Quiz Time Let’s begin with a quick quiz.  Acting on Kevin’s commission and instructions, Larry takes a photograph using a camera Jim lent him and a lens he borrowed from Bob, on an SD card owned Read more…

Should I Give Digital Images to my Clients? – Part 1

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Oh, for the good old days.  The good old days when the question was whether or not you should give original film, transparencies or negatives to clients.  The answer was so easy then.  You would not want to hand over original film, not so much because it would eliminate further Read more…

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